![]() You can't use it small, and youĬan't use it large." I've never used it at all, so send me an e-mail if you have opinion.Įpitome of neo-classicism and eighteen-century rationalism in type."ĭesign shows more originality and personality than Caslon's. ![]() Overall loose spacing goes against all its other parameters, like the Uses are tagged with this generic entry unless a specific revival is confirmed (see Related Typefaces). ![]() Only 40-something kerning pairs to patch things up) it's that its Hrant H Papazian, for example, wrote on the typophile forum, "The problem with Mrs Eaves isn't just that the spacing is messy (with Eaves (named for Baskerville's companion) is a popular and attractive face that includes a number of ligatures and other features. Eaves, by Zuzana Licko, is a revival of Baskerville that attempts to soften its hard edges by reducing its contrast, lowering the x-height, and widening the lower case. Rogers used it for display with the original Or "Fry" Baskerville is a later face based on the original Were rediscovered and made known by Bruce Rogers around 1920. His matrices were sold by his widow,Ĭhanges hands several times, disappearing into obscurity until they This marks the move from the "garalde"īaskerville could not compete economically with printers using the cheaper,Įstablished technology. Him to employ a typeface with sharper definition and thinner elements Than the old laid papers with their vertical ribbing. Technology, improving press platens and packings, formulating darkerĪnd faster-drying inks, and inventing wove paper, which was smoother When in his midforties, was responsible for several advances in printing Baskerville, who had made a fortune in japanning before turning to printing Because of the extent of contrast between thin and thick strokes in modern serifs like Didot and Bodoni, theyre not the most readable typefaces at smaller.
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